PLEASE NOTE: Video documentations of the lectures are online now:

OPENING
Ulas Aktas (Frankfurt on the Main): Civil-wilderness (CIVILDERNESS) and Cultural Immune Systems
Armen Avanessian (Berlin): Reading Political Theories’ Readings
Friedrich Balke (Weimar): All in Good Time? Fiction and the Possibility of Historic events
Bruno Bosteels (Ithaca): Transatlantic Decadence: Aesthetics and Politics
Gabriele Brandstetter (Berlin): Heteropolitics of Dance
Ramsay Burt (Leicester): The Biopolitics of Modernist Dance and Suffragette Protest
Simon Critchley (Essex/New York): The Faith of the Faithless – Experiments in Political Theology
Bojana Cvejić (Brussels): The Politics of Problems
Mark Franko (Santa Cruz): Antifascist Utopias and Action Photography: Nationalism and the Popular Front in Martha Graham’s American Document
Josef Früchtl (Amsterdam): It is, as if. Fiction, Aesthetics, and the Political
Andreas Hetzel (Darmstadt): Resistance Speaks: Languages of Resistance Gabriele Klein (Hamburg): (Micro-)Politics of Social Choreography. On the Relationship between Urban Diversities, Citizenship and Site Specific Dance Performances
Bojana Kunst (Hamburg/Ljubljana): Working out Contemporaneity: Dance and Postfordism
André Lepecki (New York): Dance and (In)difference: Towards a Kinetic Critique of Communication
Erin Manning / Brian Massumi (Montreal): Coming Alive in a World of Texture: For Neurodiversity
Oliver Marchart (Lucerne): Dancing Politics. Some reflections on Commonality, Choreography and Protest
Randy Martin (New York): Mobilizing Dance: Between Network and Organization
Dieter Mersch (Potsdam): The Political and the Violent. On Resistances
Nikolaus Müller-Schöll (Hamburg): Plus d’un rôle. On the Politics of Playing Together in Contemporary Theatre and Performance Practices
Stephan Packard (Munich): Why are Story Arcs Dark and Gritty? Ethics and the Political in Serial TV and Video Aesthetics
Wim Peeters (Dortmund): Contesting “the Democratic Chattering of the Letter”. Politics of Comment in 20th Century Literature
Jacques Rancière (Paris): Doing or Not Doing: Politics, Aesthetics, Performance
Gabriel Rockhill (Philadelphia): Critique of the Ontological Illusion. Rethinking the Relation between Art and Politics
Frank Ruda (Berlin): Thinking Politics Concretely: Negation, Affirmation and the Dialectics of Dialectics and Non-Dialectics
Petra Sabisch (Berlin): Choreographing Participatory Relations: Contamination and Articulation
Ana Vujanović (Belgrade): Politics of Dance: Subject, Media and Procedures of Work
WORKING. DANCE. WORKS. (Panel Discussion)

The recently founded MA Studies in „Choreography and Performance“ and the Graduate Centre for the Study of Culture at Justus-Liebig-University Giessen will be holding two cooperating conferences with similar subjects but different foci. The international symposium „ „Communications: Dance, Politics and Co-Immunity“ “, organized by the MA program in „Choreography and Performance“, asks to what extent dance, in its history as well as its contemporary development, is linked to concepts of the political. The conference „„thinking - resisting - reading the political““, organized by the Graduate Centre for the Study of Culture, asks what specific perspectives and methodological consequences arise for the study of culture that are informed by recent deliberations on the relationship of the political and the aesthetic.


The symposium „Communications: Dance, Politics and Co-Immunity“ is taking place with kind support by the Deutsche Forschungsgesellschaft DFG, Tanzplan Deutschland and the Hessian Theatre Academy.

The conference „thinking - resisting - reading the political“ is taking place with kind support of the International Graduate Centre for the Study of Culture (GCSC), the Center for Media and Interactivity of the JLU and the Justus-Liebig-University Giessen.

The Festival "Dance & Politics" is taking place with kind support of the Kulturamt Gießen, the Institute for Applied Theatre Studies and the Hessian Theatre Academy.